URBAN GEOGRAPHY Free Essay Example, 2500 words

In the United States, periodic assessments of racial segregation and income segregation have been done to understand the level of segregation. According to Glaeser and Vigdor (2012), the dissimilarity index for the black community has been reducing consistently each year - in 1980, it was 72.7, 1990 it was 67.8 and in 2000, it further reduced to 64.0 (Glaeser and Vigdor, 2012). Among all the communities, the black community is the one which is segregated the most and the segregation is most dominant in metropolitan cities such as Chicago, New York, Detroit, Washington D. C and Los Angeles (Glaeser and Vigdor, 2012). This is followed by the Hispanic population, which had a dissimilarity index of 50.9 in 2000 (Glaeser and Vigdor, 2012). On one hand, the segregation due to race reduced when compared to the earlier years, the segregation due to income increased between the rich and poor form 0.29 to 0.43 (Glaeser and Vigdor, 2012; Iceland et al, 2002). When statistics related to both ra cial and income segregation were combined, it revealed that more than half of the people who belonged to the racial community had lower income levels and thus, they lived in segregated communities and did not live in a neighborhood where the population consisted of a majority of white people. We will write a custom essay sample on URBAN GEOGRAPHY or any topic specifically for you Only $17.96 $11.86/pageorder now The United States has a long history of segregation because of laws and legislations which were enacted before the Civil Rights movement where races were kept apart in public places, educational institutions, prohibition of interracial marriages and lack of voting rights for the black. As per the Fair Housing Act of 1968, there should not be any discrimination in housing based on factors such as race, color, ethnic origin, religion and sexual orientation (Schwartz, 2008). However, according to Schwartz, redlining (providing services at increased costs based on race, gender or ethnic origin) and mortgage discrimination exists even now. The strongest impact of segregation is seen on three avenues - education, health and crime (Schwartz, 2008). Living in a segregated set-up reduces the number of opportunities that the minority have in getting access to good education as the quality of education often depends on the geographic location because funding of many educational institutions ha ppen through the income/revenue that are gained from property taxes (Simpson, 2007). Similar impact is also seen in the health care sector as low income communities often see minimal facilities and overcrowding.

Exploration, Transformation, and Metamorphosis in The...

Analysis, Theory and Application The Texas Chainsaw Massacre 2 Nicole Weaver English 162 Professor Mark Justice 29 January 2012 Exploration, Transformation, and Metamorphosis in The Texas Chainsaw Massacre 2 The Texas Chainsaw Massacre 2, a sequel to The Texas Chainsaw Massacre released in 1974, is a 1986 film directed by Tobe Hooper. This sequel is set 13 years after the events that transpired in the first film and follows Lieutenant Lefty Enright, played by Dennis Hopper, on his quest to find and destroy the Sawyer family the Sawyer clan did to his niece, Sally Hardesty, and his nephew, Franklin, in the first film of the franchise. Historically, horror films developed out of the tradition of Gothic novels from Europe by way of Mary Shelley or Bram Stoker (Dirks 788). Like these Gothic novels, horror cinema highlights the battle between good and evil whether it is between two separate individuals or entities, or a battle within the self. The Texas Chainsaw Massacre 2s narrative and description of the fight between good and evil allows for the analysis of theories such as isolation, exploration, transformation, and metamorphosis. Stanley J. Solomon argues horror cinema has the capacity of providing the viewer with protected access to a nightmare world otherwise shunted outside of civilization (794). Solomon continues to argue that it is through cinema that the audiences abstract fears are made a fictional reality and through the

Personal Recounts- a Day in the Life of Superman Free Essays

A day in the life of Superman I nearly died today . I could not help but toss and turn in bed and think about how horrible my day had been . what would have happened if the Atomic Skull had hit me on my head. We will write a custom essay sample on Personal Recounts- a Day in the Life of Superman or any similar topic only for you Order Now â€Å"Someone help me! † old . Auntie Mary was lost in the jungle. She could not find her way out and was shouting frantically for help. The sun was setting. Auntie Mary was shouting for help because she had now been captured by the notorious Atomic Skull. He was notorious because of his habit of abducting little children and the elderly. Ha ha, now nobody can save you,† laughed the Atomic Skull but he was wrong and I had heard Auntie Mary. The Atomic Skull’s teeth were a disgusting sight to look at and his face was bigger than his body. â€Å" Superman to the rescue,† I was on my way to the spot where Auntie Mary was since he was already near the jungle. I was just flying past the jungle at that time. The jungle was eerie and gloomy and had a lot of trees. No longer than a minute had passed when I arrived at the spot where Auntie Mary was. There was one problem, she and the Atomic Skull were not there anymore. The Atomic Skull had brought her somewhere. I started to look for Auntie Mary. She was nowhere in sight. Then, I heard the rustling of leaves. I turned around and saw that there was a pile of leaves nearby which could have been used to hide behind. I then had an idea. I crept the other way round the tree to the back of the pile of leaves. That was when I saw the creepy Atomic Skull. The Atomic Skull saw me and we began to fight. There was a lot of action as well as blood. The Atomic Skull could feel a punch on his cheek and felt his hand raising up to hit me. He had a scythe in the other hand and had the mean thought of hitting me with it. Auntie Mary could not bear this sight so she turned around. I was wise and had known that earlier so I kicked the scythe out of the Atomic Skulls hand. The Atomic Skull was helpless now he was powerless and could not do anything but ask for forgiveness or so I thought so. Just as I turned around with Auntie Mary, the Atomic Skull, being very nasty, crept towards his scythe and picked it up, aimed it at me. Just as he was about to throw it, I turned around saw what the Atomic Skull was up to. I ducked just in time and gave the Atomic Skull one last kick of mine which was one of the famous style of kicks. The Atomic Skull lay there, groaning in pain as if he had fallen from a tree which was very high and broke a bone or two. â€Å"Better luck next time, Atomic Skull. Always remember that where there is evil ,there is good and where there is you , there is me! Ha ha! † I was smiling to myself because I had just realised that I had spent two hours thinking of what had happened instead of sleeping. â€Å" How silly of me! † he said before he started to snore. How to cite Personal Recounts- a Day in the Life of Superman, Essay examples

Dodsons dilemma Essay Example For Students

Dodsons dilemma Essay Owen Dodson never got his big break. An exceptionally talented writer and director, Dodson hobnobbed with the movers and shakers of the black intelligentsia from W.E.B. du Bois to James Baldwin and inspired younger generations of black poets and artists. Yet Dodson, a professor of drama at Howard University for 25 years, never became a celebrated man of the theatre himself. His story is captured in Sorrow Is the Only Faithful One: The Life of Owen Dodson by City College professor James V. Hatch. The vividly written biography is based on extensive interviews with Dodson, taped a couple of years before his death, as well as conversations with numerous friends and colleagues. Dodson, born in 1914, grew up in what was then the ethnically mixed neighborhood of East New York in Brooklyn. Born to a middle-class family who valued literature and education, Dodsons gift for the written word flourished during his student days at Bates College in Lewiston, Me., where a stream of literary successes at the undergraduate level landed him an invitation to the Yale School of Drama. There he witnessed successful productions of his highly poetic dramas Divine Comedy, about the Great Depression preacher cure con-artist, Father Divine, and Garden of Time, a reworking of the Medea story transplanted to the postbellum South. Upon graduating in 1939, Dodson accepted a teaching and directing job at Spelman, Atlantas prestigious black womens college. a decision which launched him on an extraordinary teaching career but effectively ended his higher aspirations as a real artist. In Atlanta, Dodson was introduced to the eccentrics and iconoclasts of the black literati. During Dodsons 1940-42 stint in the Navy, he managed to convince superiors to develop a department of drama, for which he wrote and directed a series of morale-building plays and pageants honoring naval heroes and great Negro leaders. His epic pageant New World A-Coming, featured as part of the Negro Freedom Rally in June of 1944, was staged at Madison Square Garden. The event, organized by the indefatigable Harlem congressman Adam Clayton Powell and his Negro Labor Victory Committee, was a huge triumph for Dodson. A multiracial audience of 25,000 crammed into the arena to view the spectacle, which was praised by New York mayor Fiorella H. LaGuardia. Dodson began his Howard career in 1947, joining Anne Cookes newly created drama department, which stressed professionalismnot commercialism and total theatre. Dodson directed Arthur Millers All My Sons in 1948 and for the first time white critics came to Howard to review. He worked with the gifted but fickle James Baldwin on his 1954 play The Amen Corner (Baldwin promised Dodson he could direct Blues for Mr. Charlie on Broadway, but later changed his mind and hired a white director) and helped to prepare exceptional actors such as Earl Hyman for the professional stage. But perhaps his most widely publicized triumph at Howard was a first-of-its-kind cultural collaboration between Scandinavia and the U.S. in 1949. Twenty-four members of the Howard drama department spent 10 weeks in the land of Swedes and fjords, presenting all-black productions of The Wild Duck, directed by Anne Cooke, and Mambas Daughters, an American play directed by Dodson. Hatch notes that the tour inspired the U.S. State Department to request legislation that would enable the United States Information Service to bring American dance, film, art, music and theatre to the world. Dodsons later years were not easy. He suffered hip and knee problems and was forced to undergo several operations. A drinking problem which began in the 1950s exacerbated by unresolved anxieties about his homosexuality steadily worsened as the years progressed. After a forced early retirement from Howard in 1967, Dodson continued to write, lecture, direct occasionally and socialize with the bohemian elite until his death in 1983. .ue1e3333fd18b9daeea9f5dec083bd9b0 , .ue1e3333fd18b9daeea9f5dec083bd9b0 .postImageUrl , .ue1e3333fd18b9daeea9f5dec083bd9b0 .centered-text-area { min-height: 80px; position: relative; } .ue1e3333fd18b9daeea9f5dec083bd9b0 , .ue1e3333fd18b9daeea9f5dec083bd9b0:hover , .ue1e3333fd18b9daeea9f5dec083bd9b0:visited , .ue1e3333fd18b9daeea9f5dec083bd9b0:active { border:0!important; } .ue1e3333fd18b9daeea9f5dec083bd9b0 .clearfix:after { content: ""; display: table; clear: both; } .ue1e3333fd18b9daeea9f5dec083bd9b0 { display: block; transition: background-color 250ms; webkit-transition: background-color 250ms; width: 100%; opacity: 1; transition: opacity 250ms; webkit-transition: opacity 250ms; background-color: #95A5A6; } .ue1e3333fd18b9daeea9f5dec083bd9b0:active , .ue1e3333fd18b9daeea9f5dec083bd9b0:hover { opacity: 1; transition: opacity 250ms; webkit-transition: opacity 250ms; background-color: #2C3E50; } .ue1e3333fd18b9daeea9f5dec083bd9b0 .centered-text-area { width: 100%; position: relative ; } .ue1e3333fd18b9daeea9f5dec083bd9b0 .ctaText { border-bottom: 0 solid #fff; color: #2980B9; font-size: 16px; font-weight: bold; margin: 0; padding: 0; text-decoration: underline; } .ue1e3333fd18b9daeea9f5dec083bd9b0 .postTitle { color: #FFFFFF; font-size: 16px; font-weight: 600; margin: 0; padding: 0; width: 100%; } .ue1e3333fd18b9daeea9f5dec083bd9b0 .ctaButton { background-color: #7F8C8D!important; color: #2980B9; border: none; border-radius: 3px; box-shadow: none; font-size: 14px; font-weight: bold; line-height: 26px; moz-border-radius: 3px; text-align: center; text-decoration: none; text-shadow: none; width: 80px; min-height: 80px; background: url(https://artscolumbia.org/wp-content/plugins/intelly-related-posts/assets/images/simple-arrow.png)no-repeat; position: absolute; right: 0; top: 0; } .ue1e3333fd18b9daeea9f5dec083bd9b0:hover .ctaButton { background-color: #34495E!important; } .ue1e3333fd18b9daeea9f5dec083bd9b0 .centered-text { display: table; height: 80px; padding-left : 18px; top: 0; } .ue1e3333fd18b9daeea9f5dec083bd9b0 .ue1e3333fd18b9daeea9f5dec083bd9b0-content { display: table-cell; margin: 0; padding: 0; padding-right: 108px; position: relative; vertical-align: middle; width: 100%; } .ue1e3333fd18b9daeea9f5dec083bd9b0:after { content: ""; display: block; clear: both; } READ: A critic in every port: O brave new France EssayHis close friend Gordon Heath wrote about Dodson to a mutual friend in 1963: He has lusted after Broadway and the professional world of writing and the theatre incessantly, but he has been inexact, unspecific and wooly-minded intellectually, he has coasted on his adolescent images of life and art and his promise as one of the new Negroes. He has not decided what his job is and limited himself to it. Devoting so much of his time to fulfilling the dreams of his students, Dodson ultimately neglected to fulfill dreams of his own.